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Second Empire excess has been on my mind lately. Glanmore, my 'other' house, was featured in the Winter issue of County and Quinte Living. The splendid photos of magazine photo editor Daniel Vaughan showed the world how Glanmore does Christmas. I had a little something to do with it, also, she added modestly. In any event, the article (and editor Catherine's pointed remarks) brought a lot of people who "had been meaning to come in for some time" into the museum for all the Christmas splendour.
The book is one of a series produced by Parks Canada back in the affluent 80s. The burst of scholarship and publication arose out of the ambitious Canadian Inventory* of Historic Building, a well that has been tapped for a host of authoritative books on Canadian Architecture, such as The Settler's Dream, a local favourite.
*If you follow the above link you'll see that Glanmore's photo appears. Cred, to be sure.
I've talked about this series before: I'm fortunate to have collected titles in Neoclassical, Palladian and Architecture of the Picturesque (which requires stepping out of traditional 'style' names, a la Robert Mikel et al). I have just entered into negotiations with Abebooks to purchase a "some water damage but completely readable" copy for myself.
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This book in the Parks Canada series is written by Janet Wright and colleague Christina Cameron. Cameron is listed as first author, but I recognize Wright's name from Architecture of the Picturesque on my bookshelf.
Parks Canada is a wide-reaching entity. I despair, and include this Wiki clip for your edification:
The Canadian Register of Historic Places is supported and managed by Parks Canada, in collaboration with provincial and territorial governments and other federal bodies. The agency is also the working arm of the national Historic Sites and Monuments Board, which recommends National Historic Sites, Events, and Persons.
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Another thing that appeals to me is that one of my very favourite (one, I hasten to add) Belleville SE houses, the buff brick at the corner of Charles and Bridge Streets, is the 'cover girl.' Had me puzzled for a minute, as the photo captures the Charles Street facade, whereas the Bridge Street frontage is more familiar to OEH commuters.
Here's a Streetview view of the side the Inventory types preferred. They missed out on the splendid chimney, included above for your enjoyment.
I won't go on about Second Empire style, or the toothsome examples I've come across in my rambles, because, well, I've already gone on about them. If you've discovered the recently added Search function on the blog, you can readily call them up. If not, here's a link to several posts. Gad, I do ramble on, don't I?
As a youngster, this style was always my ideal of opulence, thus what I wanted in a house. I grew up in my maternal family homestead (story and a half, two up, two down, central hall, back addition of kitchen type house) so these behemoths were spectacular in our eyes.
ReplyDeleteKnow what you mean. You've seen my childhood home (photo on the blog here.) I remember being so awed by big fancy homes in Picton!
ReplyDeleteWell you have seen my ancestors home. (Peter Davy house). They just kept building the same house everywhere they migrated.
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