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The buildings' connection with the arts is a long one. This undated, but pre-2014 Kingston Life article gives the background, and (happily) correctly anticipates today's beautiful complex. Here's the story again, in the Tett's own words.
What intrigued me most, of course, was the built heritage - the history of the site, and the harmonious way that modernist aluminum structures were married with two hundred year old limestone.
The creators of this environment honoured the history in another way - a delightful book, the mother of all board books, stood at the entrance to the centre, inviting a browse. Historical photos, copies of paintings and plans...all my questions answered. Here's a link to more history in case my ramblings here don't answer all of yours.
The cultural complex was created out of a moribund collection of Federal heritage places, consigned like so many of them to limbo, with neither the will or money for maintenance or restoration, nor the imagination for adaptive reuse. Does Inverarden leap to mind? I mused about the inertia around that significant property last December - haven't heard any reports of progress from my Cornwall contact.
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Morton renamed the house Mortonwood; it's still standing. Just imagine when King Street West was out of town, home of other country villas like Bellevue House.
After the boom days for Morton's business (and for the city), the buildings stood empty until the First World War made it feasible to fully use the complex again - this time as a military hospital.
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