|the manor-house of 'Horaceville'
This is the 1820s colonial Georgian home of Hamnet Kirkes Pinhey, English merchant who profited from his adventures in the Napoleonic wars, taking up a grant of 1000 acres of riverfront property in the newly opening Ottawa River area.
His plan, well achieved, given the challenges of the era and the area, was to create an English community in the wilderness, with himself as lord of the manor, an industrious village around his feet. He called the place Horaceville, after his eldest son.
Pinhey's daughter did a watercolour of the estate in about 1837. Suppose it's public domain by now, so I'm sharing my imperfect photo of it here. Notice the church for which he donated land and funds. Very English gentry of him. He was a social and political leader, to be sure. The siting of his estate symbolized his social status.
I stood on the steps of the central bay of the conjoined houses, looking out on the Ottawa River, as Pinhey might have done, imagining myself lord of all I surveyed, and marvelling over what he managed to create in what would have been a wild wilderness indeed. Below him along the Ottawa River would appear occasionally the temporary shelters of the area's first peoples, and then the shanties of loggers (the trade in squared timber, made viable by Napoleon's blockade, was underway by 1806, Philemon Wright proving the timbers could be floated down-river and rafted for travelling onward to Montreal.)
|south wing to the right (1848/9)
The manor house is part of the almost 200 year old estate. It's heart-breakingly picturesque with its wooded areas, grassy hillsides, stone and log ruins, a terraced home garden, and the point itself (currently closed for rehabilitation, so popular it is) on the edge of the Ottawa River. Throughout the property (a good workout due to the terrain) are interpretive panels with just the right amount of history and architecture.
Perhaps I should just leave you to wander and make your own connections. I'll leave a few hints in the photo captions.
To the right of this photo is the ruin of a good stone kitchen which once joined to the log section of the house.
I read that three exterior walls of the house were stuccoed smooth and scored in imitation of ashlar stone, a common enough strategy for uncommon early stone houses with pretentions.
The centre section, with the elliptical transom above a wide doorcase, was added in 1841/2.
Georgian symmetry prevailed. Notice how the symmetrical three-bay sections to right and left, with their louvred false entrances and semi-circular heads, balance the centre bay with its latticed sidelights and "shallow segmental Regency arch, structurally sound but here, visually unhappy" (Macrae, p.75)
This doorway opens into the entrance hall. Rooms opened to right and left, the library leading further in to the drawing room. Just how far inside the door one got depended on one's social standing.
In another post, I'll show some photos of the interior, and tell more stories. What isn't obvious is the graceful processional stairway leading to a dining room on a half-level at the back. The whole place felt spartan and cold, echo-y creaking spaces with wood floors and panelled walls, bringing to mind that series with BBC's Amanda Vickery, At Home with the Georgians.
|voted best view from an ash house, ever
|ruins of the 1820s kitchen
|main house kitchen lighting
The Pinhey's Point Foundation website contains a great chronology, and a 1941 photo showing the 1820/21 log house clad in clapboard. This log wing was removed after it collapsed in the 1970s and the stone kitchen to which it had connected was stablilized for safety (and historical) reasons.
Here's another site with Horaceville history. I'd forgotten to mention the church, the grist and sawmills, lime kiln, granary and malt kiln, housing for estate workers and the seven cannons.
Pinhey's Point is an Ontario Heritage Trust site operated by the City of Ottawa, with 88 acres of recreational space, special history events and the well-interpreted historic house.
And here is a parting shot, a final view of the kitchen tail added in 1848, turning the house into a magnificent L-shape.